Skip to main content

Posts

Showing posts from January, 2018

Empire Magazine (2008) Greatest Movies List - #364: Natural Born Killers

Natural Born Killers (1994) is not so much a movie as an American nightmare come to life. Loosely based on a story by Quentin Tarantino, starring some of the wildest actors in Hollywood at the time, and boasting a level of violence that unfortunately inspired copycat crimes, it is the textbook definition of controversial. In all fairness there are important messages amidst all the violent mayhem, but director Oliver Stone throws so much content at the screen that these messages can sometimes get lost in the carnage. Even though the movie came out more than two decades ago it still has a legendary status, which I learned about while reading a chapter in a book about Tarantino’s career. The book, Quintessential Tarantino, contained a lot of interesting facts about the making of the movie and also spoiled the ending, but reading a few words that describe a killing spree is very different than seeing it portrayed on screen. A few years ago the director’s cut became available on Net

Empire Magazine (2008) Greatest Movies List - #68: Annie Hall

Another year, another instance of reviewing a movie made by a director with a rather dubious personal history. Ever since the Harvey Weinstein scandal broke out last year I realize there are plenty of movies on this Greatest Movies list whose crew includes directors, producers, writers or actors who have been accused of sexual misconduct/lewd behaviour/rape/being a complete scumbag. Woody Allen directed Annie Hall (1977), arguably one of his funniest movies of all times, but he was also accused of sexual abuse as far back as the early 90s and kept on working. I am a completionist and Annie Hall is next on my list, so I am going to have press on and try to look back at this movie by separating the artist from the work. This is a little bit tricky with a Woody Allen movie since in most of his movies he likes to write, direct, and be in front of the camera in the lead role. In Annie Hall his character is comedian Alvy Singer, a prototypical New Yorker as in many of Allen’s movies