Skip to main content

Empire List #435: American Psycho


Five years before he donned a cape and played Batman, Christian Bale played a truly monstrous man in “American Psycho.” His Patrick Bateman is a vane, arrogant, misogynist Wall Street trader who loves to stare at himself while having sex with two prostitutes in his rich Manhattan penthouse. He values money above all else, dresses well, works out obsessively and uses more skin care products than some Hollywood actresses. Oh, and he occasionally kills people with axes, knives and chainsaws. As if working on Wall Street wasn’t bad enough.

The violence and depravity in this movie is legendary. Based on a 1991 novel by Brett Easton Ellis, the adaptation attracted the likes of David Cronenberg and Oliver Stone as directors and Leonardo DiCaprio as Bateman. Fortunately, the task of filming and performing the scenes of sex and violence fell upon the shoulders of Marie Harron (“I Shot Andy Warhol”) and Christian Bale. The result was a cult movie whose violent scenes were both brutal and somewhat comical.

This is not just my opinion. Back in College in Quebec City of few of my classmates would YouTube the scene where Bateman hacks Paul Allen (Jared Leto) to death with an axe to the sound of Huey Lewis and the News’ “Hip to Be Square.” Shocking the first time you see it, but they thought it was hilarious. A few years later I got in on the joke while living off-campus near the University of Sherbrooke. If it’s October and we’re only a few days away from Halloween, why not rent a movie filled with blood, depravity, naked women and Christian Bale running with a chainsaw?

Set in the 1980s, at a time when Wall Street was running unchecked and brokers thought they were masters of the universe (déjà fucking vu) Patrick Bateman barely stands out amongst the other coke-addled millionaires. A great scene defines how these men view each other when they compare their business cards during a boardroom meeting. Whoever has the most expensive card with the best ink wins (i.e. has the bigger dick).

Yet Bateman is clearly more unhinged than anyone in the boardroom. An early montage shows him exercising religiously while delivering a monologue about his diet and beauty regiment. Like a carefully oiled machine he plans everything in his day, including murder. When he kills Paul Allen, the winner of the better card contest, he has clearly thought this out. He has him sit on a couch surrounded by newspapers while he puts on a raincoat and enthusiastically talks about his love of Huey Lewis.

This guy was Dexter Morgan before “Dexter” became a TV show. Except unlike Dexter, we never really learn Bateman’s motivations. Just why does he randomly kill a homeless man in a dark alley? Was he jealous of Paul Allen’s success so he just had to hack him to death? Has sex become so dull to him that he needs to kill prostitutes in order to feel anything?

A scene in which an ATM asks him to feed it a live cat suggests he just might be crazy, plain and simple. But I don’t believe “American Psycho” is just about a psychopath. Otherwise Bateman would be just another murderer living in some motel hacking tourists.

The movie is about the excess that comes with money. Bateman and his friends define themselves by who can access the most expensive restaurant in the city, who has the biggest apartment and of course who has the most money in the bank. It’s all about them and to hell with the rest of the world.

Bateman’s murders are the just satirical exaggerations. It would be pretty shocking to find a Wall Street with corpses in his closet like Bateman, but it wouldn’t be surprising to find one with the same lifestyle.   

Comments

Popular posts from this blog

Empire Magazine (2008) Greatest Movies List - #97: Reservoir Dogs

One of the most surprising things about Quentin Tarantino’s debut film Reservoir Dogs (1992) is the fact that it has never been adapted for the stage. They will make a show out of Beauty and the Beast , Monty Python and the Holy Grail , and even Spider-Man , but somehow a movie in which most of the action takes place in a warehouse has never made it to Broadway? In any case, this was the movie that announced the arrival of the insatiable film fan that could regurgitate everything he had learned watching movies at the video store into stories filled with sudden bursts of violence, sharp-dressed characters, awesome soundtracks, and crackling dialogue.   Since this violent piece of American cinema came out at a time when I was still learning basic math in elementary school there was no way I would watch this on the big screen. However as the years went by it became a cult classic, and even a classic of the independent movies genre, and was re-released on special edition DVD for its

Empire Magazine (2008) Greatest Movies List - #49: Evil Dead 2

What do you get when you mix buckets of fake blood, creative camera operators, the humour of the Three Stooges, and a man with the most recognizable chin in Hollywood? You get Evil Dead II (1987), the horror classic that somehow manages to remake the original in the first 15 minutes and yet feel entirely original. Even though it is mostly set in a cabin in the woods, that staple location in the horror genre, it feels like a roller coaster ride. This is especially true once the film's hero, the scrappy Ash Williams, embraces the madness by arming himself with a sawed-off shotgun and attaching a chainsaw where his hand used to be. "Groovy" indeed. This gore-soaked franchise has had a long run, starting off with one low-budget movie directed by a young Sam Raimi and then growing into two sequels, a remake, comic books and a TV show with three seasons. My starting point was the third entry, Army of Darkness, which moves the action to the Middle Ages with the same

Empire Magazine (2008) Greatest Movies List - #102: The Hustler

Robert Rossen’s The Hustler (1961) is proof that any sport can be used for good cinematic drama even if that sport is pool. Although this is not a game that involves a massive sport arena and bloody boxing gloves, things can get dramatically interesting if the monetary stakes are high, and visually arresting if the filmmakers shoot from the right angle. It also helps a lot if the man putting his money on the table is played by a young Paul Newman in a career-breaking role. Prior to watching the film I had a vague idea of the meaning of the word “hustling” and a rather passive interest in the game of pool. It’s a fun game to play if you are having a couple of nachos and chicken wings on a Friday evening with friends, but I didn’t see it as a spectator sport. Watching The Hustler in the classics section of Netflix two years ago was a bit of an education since it shows the sport as a way of life for some people, and a huge source of revenue for big time gamblers. Newman star as